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Artist...............: Henri Salvador
Album................: Room With a View
Genre................: Bossa com Jazz, Ballad
Source...............: CD
Year.................: 2002
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 59 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: TntVillage
Ripped by............: Leonenero on 27/11/2016
Posted by............: Leonenero on 28/11/2016
News Server..........: news.astraweb.com
News Group(s)........: TntVillage
Included.............: NFO, MD5, PLS, M3U, LOG, CUE
Covers...............: Front Back CD
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Tracklisting
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1. Henri Salvador - Je Sais Que tu Sais [04:26]
2. Henri Salvador - Mademoiselle [03:54]
3. Henri Salvador - Faire des Ronds dans L'Eau [02:48]
4. Henri Salvador - Aime-Moi [03:13]
5. Henri Salvador - Le Fou de la Reine [03:09]
6. Henri Salvador - Jazz Silver Moonlight [03:24]
7. Henri Salvador - Jardim [02:47]
8. Henri Salvador - Room With a View [02:41]
9. Henri Salvador - J'ai Vu [03:30]
10. Henri Salvador - All I Really Want is Love [04:08]
11. Henri Salvador - La Muraille de Chine [03:19]
12. Henri Salvador - Il Fait Dimanche [03:57]
13. Henri Salvador - Un Tour de Manege [03:38]
14. Henri Salvador - Vagabond [03:22]
Playing Time.........: 48:21
Total Size...........: 289,26 MB
American audiences will embrace Henri Salvador like he's a Grandpa Moses of bossa nova. It's not every day that an eightysomething crooner steps out of U.S. obscurity with an album of warm-as-fresh-pastry cabaret music.
Of course, Salvador is no Henri-come-lately. He's famous in France and francophone former colonies (like his native Cayenne, French Guiana) and has decades of television and recording work to his credit.
Now, it's time for stateside listeners to play catch-up.
This album was reportedly recorded on the verge of Salvador's retirement, and though the sound is classique, many of the songs are of recent vintage.
Salvador's charming, half-spoken vocals will resound with listeners familiar with the suave stylings of cabaret practitioners such as Charles Trenet and Walter Hyatt.
There's also a bit of Danny Kaye in his phrasing on the album's lighter fare, like the brass-band-flavored "Mademoiselle"--no surprise given Salvador's extensive comedic résumé. Younger audiences primed by the ironic, sophisticated grooves of Dimitiri from Paris and Money Mark will delight in much of the instrumentation here. The album is, in fact, a triumph of production and arranging. Full orchestras are cued, at times, at the same volume as a single instrument, reduced to the level of pure atmosphere. One track, "Il fait Dimanche," has a funky vamp that demands to be sampled for the contemporary dance floor. Another, "Faire des ronds dans l'eau," subsists on strummed guitar and a trap set, with the occasional gypsy-style, savory violin part added for spice.
Throughout, Salvador presents himself as an astute, sympathetic performer. On "Je sais que tu sais" it's hard to tell where his whispered voice ends and the drummer's light brushes begin.
Apparently, swingers--in the jazz sense of the word--get better with age.
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