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Carmen McRae - Sarah - Dedicated To You
Artist: Carmen McRae
Title: Sarah - Dedicated To You
Release Date: 1990
Recording Date: Oct 12, 1990 - Oct 14, 1990
Label: Novus
BMB Music: 1991
Time: 56:27
Genre: Jazz Vocal
Style: Standards Vocal Jazz
Number of Discs: 1
Source: Original CD
Extractor: EAC 0.99 prebeta 4
Used drive: HL-DT-STDVDRAM GSA-E10L
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Codec: Flac 1.2.1; Level 8
Single File.flac, Eac.log,
File.cue Multiple wav file with Gaps (Noncompliant)
Accurately ripped (confidence 9)
Size Torrent: 307 Mb
Scan Incluse
TrackList:
1. Poor Butterfly (Raymond Hubbell, John Golden) 3:59
2. I've Got The World On A String (Ted Koehler, Harold Arlen) 3:27
3. Misty (Erroll Garner, Johnny Burke) 4:08
4. Wonder Why (Sammy Cahn, Nicholas Brodsky) 2:46
5. Send In The Clowns (Stephen Sondheim) 3:53
6. Black Coffee (Paul Francis Webster, Joseph Francis "Sonny" Burke) 6:21
7. Tenderly (Walter Gross, Jack Lawrence) 5:20
8. The Best Is Yet To Come (Cy Coleman, Carolyn Leigh) 2:35
9. I Will Say Goodbye (Eddie Bacri, Michel LeGrand, Alan Bergman, Marilyn Bergman) 2:36
10. The Lamp Is Low (Mitchell Parish, Peter De Rose, Maurice Ravel) 3:03
11. It's Magic (Jule Styne, Sammy Cahn) 4:57
12. Dedicated To You (Sammy Cahn, Saul Chaplin) 6:03
13. I'll Be Seeing You (Sammy Fain, Irving Kahal) 4:55
14. Sarah (Carroll Coates) 4:15
Personnel:
Carmen McRae: Liner Notes, Vocals
Charles Ables: electric bass,
Shirley Horn piano,
Steve Williams: drums
Listen to samples
http://www.youtube.com/watch?v=q0UWu_xchHU&feature=related
http://www.youtube.com/watch?v=z5rxpcZ6RrA&feature=related
http://www.youtube.com/watch?v=zLQorMofHY4&feature=fvwrel
Biography
Carmen Mercedes McRae (April 8, 1920 – November 10, 1994) was an American jazz singer, composer, pianist, and actress. Considered one of the most influential jazz vocalists of the 20th century, it was her behind-the-beat phrasing and her ironic interpretations of song lyrics that made her memorable.[1] McRae drew inspiration from Billie Holiday, but established her own distinctive voice. She went on to record over 60 albums, enjoying a rich musical career, performing and recording in the United States, Europe, and Japan.
McRae was born in Harlem to Jamaican immigrant parents, Osmond and Evadne McRae. She began studying piano when she was eight, and the music of jazz greats like Louis Armstrong and Duke Ellington filled her home. She met singer Billie Holiday when she was just 17 years old. As a teenager McRae came to the attention of Teddy Wilson and his wife, the composer Irene Kitchings Wilson. One of McRae's early songs, "Dream of Life" through their influence, was recorded in 1939 by Wilson’s longtime collaborator Billie Holiday.[2] McRae considered Holiday to be her primary influence.
In her late teens and early twenties, McRae played piano at a New York club called Minton's Playhouse, Harlem's most famous jazz club, sang as a chorus girl, and worked as a secretary. It was at Minton's where she met trumpeter Dizzy Gillespie, bassist Oscar Pettiford, and drummer Kenny Clarke. Had her first important job as a pianist with the Benny Carter's big band (1944), worked with Count Basie (1944) and made first recording as pianist with Mercer Ellington Band (1946-1947). But it was while working in Brooklyn that she came to the attention of Decca’s Milt Gabler. Her five year association with Decca yielded 12 LPs.
In 1948 she moved to Chicago with comedian George Kirby. She played piano steadily for almost four years before returning to New York. Those years in Chicago, McRae told Jazz Forum, "gave me whatever it is that I have now. That's the most prominent schooling I ever had."[3] Back in New York in the early 1950s, McRae got the record contract that launched her career. In 1954, she was voted best new female vocalist by Down Beat magazine. She married bassist Ike Isaacs in the late 1950s.
Among her most interesting recording projects were Mad About The Man (1957) with composer Noël Coward, Boy Meets Girl (1957) with Sammy Davis, Jr., participating in Dave Brubeck's The Real Ambassadors (1961) with Louis Armstrong, a tribute album You're Lookin' at Me (A Collection of Nat King Cole Songs) (1983), cutting an album of live duets with Betty Carter, The Carmen McRae-Betty Carter Duets (1987), being accompanied by Dave Brubeck and George Shearing, and closing her career with brilliant tributes to Thelonious Monk, Carmen Sings Monk (1990), and Sarah Vaughan, Sarah: Dedicated to You (1991).
As a result of her early friendship with Billie Holiday, she never performed without singing at least one song associated with "Lady Day", and recorded an album in 1983 in her honor entitled For Lady Day, which was released in 1995. Some songs included are; "Good Morning Heartache", "Them There Eyes", "Lover Man", "God Bless the Child", "Don't Explain", just to name a few. McRae also recorded with the world best jazz musicians, Take Five Live (1961) with Dave Brubeck, Heat Wave (1982) with Cal Tjader, and Two for the Road (1989) with George Shearing.
Carmen McRae sang in jazz clubs throughout the United States—and across the world—for over fifty years. McRae was a popular performer at the legendary Monterey Jazz Festival (1961-1963, 1966, 1971, 1973, 1982). Performing with Duke Ellington's at the North Sea Jazz Festival in 1980, singing "Don't Get Around Much Any More", and at the Montreux Jazz Festival in 1989.[4]
Carmen McRae was forced to retire in 1991 due to emphysema.[5] McRae died on November 10, 1994, in Beverly Hills, California from a stroke, following complications from respiratory illness.
review
The follow-up to the essential Carmen Sings Monk is a tribute to the recently deceased Sarah Vaughan that ranks at the same very high level. Carmen McRae's final recording finds the singer backed by the Shirley Horn Trio (unfortunately, Horn turned down McRae's request to sing a bit) on 13 numbers associated with Sassy, plus Carroll Coates' original "Sarah." On such songs as "Poor Butterfly," "Misty," "Tenderly," "I'll Be Seeing You" and even "Send in the Clowns," McRae brings back the spirit (and some of the phrasing) of Sarah Vaughan while still sounding very much like herself. This very well-conceived tribute is a classic of its kind and a perfect swan song for Carmen McRae. |
