McCoy Tyner - Double Trios
Audio CD (April 20, 1993)
Original Release Date: June 7, 1986
Number of Discs: 1
Format: Import
Label: Denon Records
Genre: Jazz
Styles: Post-Bop, Modal
Exact Audio Copy V0.99 prebeta 4
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to next track
Codec: Flac 1.2.1; Level 8 Single File.flac, Eac.log, File.cue current gap
Accuraterip: yes with confidence (7)
Source: Original CD Size Torrent: 339 Mb
Atwork Scan Includ
Track List
1 Latino Suite 8:45
2 Lil` Darlin` 7:10
3 Dreamer 7:41
4 Satin Doll 7:10
5 Down Home 8:44
6 Sudan 8:52
7 Lover Man 8:45
8 Rhythm-A-Ning 4:32
Personnel:
McCoy Tyner: piano
Avery Sharpe: bass (tracks 1-4)
Louis Hayes: drums (tracks 1-4)
Marcus Miller: electric bass (tracks 5-8)
Jeff "Tain" Watts: drums (tracks 5-8)
Steve Thornton: percussion
Listen to all
http://www.amazon.com/gp/recsradio/radio/B0000034QN/ref=pd_krex_dp_a
http://www.goear.com/listen.php?v=c6b198f
http://www.youtube.com/watch?v=aTrb4iOiDpo&feature=related
Bio
It is to McCoy Tyner's great credit that his career after John Coltrane has been far from anti-climatic. Along with Bill Evans, Tyner has been the most influential pianist in jazz of the past 50 years, with his chord voicings being adopted and utilized by virtually every younger pianist. A powerful virtuoso and a true original (compare his playing in the early '60s with anyone else from the time), Tyner (like Thelonious Monk) has not altered his style all that much from his early days but he has continued to grow and become even stronger.
Tyner grew up in Philadelphia, where Bud Powell and Richie Powell were neighbors. As a teenager he gigged locally and met John Coltrane. He made his recording debut with the Art Farmer-Benny Golson Jazztet, but after six months left the group to join Coltrane in what (with bassist Jimmy Garrison and drummer Elvin Jones) would become the classic quartet. Few other pianists of the period had both the power and the complementary open-minded style to inspire Coltrane, but Tyner was never overshadowed by the innovative saxophonist. During the Coltrane years (1960-1965), the pianist also led his own record dates for Impulse.
After leaving Coltrane, Tyner struggled for a period, working as a sideman (with Ike and Tina Turner, amazingly) and leading his own small groups; his recordings were consistently stimulating even during the lean years. After he signed with Milestone in 1972, Tyner began to finally be recognized as one of the greats, and he has never been short of work since. Although there have been occasional departures (such as a 1978 all-star quartet tour with Sonny Rollins and duo recordings with Stephane Grappelli), Tyner has mostly played with his own groups since the '70s, which have ranged from a quartet with Azar Lawrence and a big band to his trio. In the '80s and '90s, Tyner did the rounds of labels (his old homes Blue Note and Impulse! as well as Verve, Enja, and Milestone) before settling in with Telarc in the late '90s and releasing a fine series of albums including 2000's Jazz Roots: McCoy Tyner Honors Jazz Piano Legends of the 20th Century and 2004's Illuminations. In 2007, Tyner returned with the studio album McCoy Tyner Quartet featuring saxophonist Joe Lovano, bassist Christian McBride, and drummer Jeff "Tain" Watts. ~ Scott Yanow, All Music Guide
review
This little-known CD features the masterful pianist McCoy Tyner with two different trios: his regular group of the period (which includes bassist Avery Sharpe and drummer Louis Hayes) and a unit with electric bassist Marcus Miller and drummer Jeff "Tain" Watts. Percussionist Steve Thornton pops up with both groups. In addition to three Tyner originals and Miller`s "Sudan," it is particularly interesting to hear the pianist's reworkings of "Lil` Darlin`," "Satin Doll," "Lover Man" and Thelonious Monk's "Rhythm-A-Ning," transforming them into modal masterpieces. ~ Scott Yanow, All Music Guide |