In a delicate, even generous manner, Valérie Massadian’s new film begins as a story of two young lovers’ life on the fringes before shifting towards one of recent cinema’s finest depictions of motherhood. Milla and Leo live clandestinely, their meager furnishings and sustenance countered by a love for which there is neither a logic nor substitute. But such an existence will only last until forces of nature take hold. Where is there to go in its wake? MILLA considers every dimension of love, loyalty, and grief through a poetic, startling vision that recalls the likes of Barbara Loden and Chantal Akerman while remaining without precedent.
