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Neil Young - Neil Young (2014) Pono Remaster [192 24bit] FLAC Beolab1700
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Neil Young - Neil Young
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Artist...............: Neil Young
Album................: Neil Young
Genre................: Folk-Rock
Source...............: WEB
Year.................: 2014
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20071117
Quality..............: Lossless, (avg. compression: 57 %)
Channels.............: Stereo / 192000 HZ / 24 Bit
Tags.................: VorbisComment
Information..........:
Posted by............: Beolab1700 on 13/01/2015
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Tracklisting
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1. Neil Young - The Old Laughing Lady [06:04]
2. Neil Young - Here We Are in the Years [03:19]
3. Neil Young - String Quartet from Whiskey Boot Hill [01:05]
4. Neil Young - What Did You Do to My Life? [02:29]
5. Neil Young - I've Been Waiting for You [02:34]
6. Neil Young - I've Loved Her So Long [02:47]
7. Neil Young - The Last Trip to Tulsa [09:26]
8. Neil Young - The Emperor of Wyoming [02:19]
9. Neil Young - If I Could Have Her Tonight [02:21]
10. Neil Young - The Loner [03:55]
Playing Time.........: 36:25
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On his songs for Buffalo Springfield, Neil Young had demonstrated an eclecticism that ranged from the rock of “Mr. Soul” to the complicated, multi-part arrangement of “Broken Arrow.” On his debut solo album, he continued to work with composer/ arranger Jack Nitzsche, with whom he had made “Expecting to Fly” on the Buffalo Springfield Again album, and together the two recorded a restrained effort on which the folk-rock instrumentation, most of which was by Young, overdubbing himself, was augmented by discreet string parts. The country & western elements that had tinged the Springfield’s sound were also present, notably on the leadoff track, “The Emperor of Wyoming,” an instrumental that recalled the Springfield song “A Child’s Claim to Fame.” Still unsure of his voice, Young sang in a becalmed high tenor that could be haunting as often as it was listless and whining. He was at his least appealing on the nine-and-a-half-minute closing track, “The Last Trip to Tulsa,” on which he accompanied himself with acoustic guitar, singing an impressionistic set of lyrics seemingly derived from Bob Dylan’s Highway 61 Revisited. But double-tracking and the addition of a female backup chorus improved the singing elsewhere, and on “The Loner,” the album’s most memorable track, Young displayed some of the noisy electric guitar work that would characterize his recordings with Crazy Horse and reminded listeners of his ability to turn a phrase. Still, Neil Young made for an uneven, low-key introduction to Young’s solo career, and when released it was a commercial flop, his only album not to make the charts.
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