Pi Recordings: Pi57
http://www.pirecordings.com/album/pi57
* Steve Coleman : alto saxophone
* Jonathan Finlayson : trumpet
* Maria Grand : tenor saxophone, cowbell (tracks 2-6, 8-10)
* Barry Crawford : piccolo, flute
* Rane Moore : clarinet, bass clarinet
* Jeff Missal : piccolo trumpet, trumpet (except track 9)
* Tim Albright : trombone (tracks 1, 2, 7-10)
* David Nelson : bass trombone (tracks 3-6)
* Kristin Lee : violin
* Chris Otto : viola
* Jay Campbell : cello
* Greg Chudzik : contrabass (except track 9)
* David Bryant : piano
* Miles Okazaki : guitar (except track 7)
* Anthony Tidd : bass (tracks 8, 9)
* Alex Lipowski : timpani, xylophone, triangle, gongs
* Nei Sacramento : congas, talking drum, berimbau (tracks 1, 2, 8, 9)
* Ramón García Pérez : congas (tracks 8, 9)
* Mauricio Hererra : bongos (tracks 7, 8 9)
* Jen Shyu : vocals (tracks 1, 2)
* Marcus Gilmore : drums
http://www.m-base.com/ http://www.m-base.net/ http://mbase.wordpress.com/ http://twitter.com/mbase http://www.stevecoleman.bandcamp.com/
Recorded by Joe Marciano and Max Ross at Systems Two Recording Studios,
Brooklyn, NY, on October 11-13, 2014.
Reviews
By John Fordham
http://www.theguardian.com/music/2015/may/14/steve-coleman-council-of-balance-synovial-joints-review
American saxophonist and composer Steve Coleman’s Functional Arrhythmias album
had an untypical mellowness for this uncompromising artist, and this one takes
that musical cordiality even further. Coleman’s decades-long mission has been
to integrate mathematical regularities found in nature, astronomy and
philosophy into improv music, and this expansion of his Five Elements band to a
21-piece – adding jazz, Latin and contemporary-classical musicians – is his
most ambitious yet open-handed tilt at it. Lean, pithy themes still snap and
swerve in Coleman’s signature manner, but the blend of elegant cello undertows
and cool alto-sax melody on Acupuncture Openings, the warm trombone and string
sounds on Celtic Cells, and the title suite’s tuba hooks and Afro-Cuban
percussion are unexpectedly and consistently entrancing. Sometimes it sounds
like an early New Orleans jazz band playing a film noir soundtrack with dashes
of free-improv and salsa; in any case, Coleman’s rigour as a composer and
improviser governs all of it.
--
By Karl Ackermann
http://www.allaboutjazz.com/synovial-joints-steve-coleman-pi-recordings-review-by-karl-ackermann.php
By Hrayr Attarian
http://www.allaboutjazz.com/synovial-joints-steve-coleman-pi-recordings-review-by-hrayr-attarian.php
By Tim Niland
http://www.jazzandblues.blogspot.com/2015/05/steve-coleman-and-council-of-balance.html
By Doug Simpson
http://audaud.com/2015/05/steve-coleman-and-the-council-of-balance-synovial-joints-tracklist-follows-pi-recordings/
By Will Layman
http://www.popmatters.com/column/194393-steve-coleman-analogies-in-various-places/
By Richard B. Kamins
http://www.steptempest.blogspot.com/2015/05/connected-by-rhythm.html
By Tomáš S. Polívka (cz)
http://www.rozhlas.cz/jazz/album/_zprava/steve-coleman-the-council-of-balance-synovial-joints--1504239
By Jan Granlie (no)
http://salt-peanuts.eu/record/steve-coleman-and-the-council-of-balance/
Da Luca Canini (it)
http://www.allaboutjazz.com/synovial-joints-steve-coleman-pi-recordings-review-by-luca-canini.php
Da Roberto Dell'Ava (it)
http://www.traccedijazz.it/index.php/recensioni/1046-steve-coleman-synovial-joints
Por João Santos (pt)
http://www.cuicadodecafonica.blogspot.com/2015/07/steve-coleman-and-council-of-balance.html
Par Pierre Dulieu et Albert Maurice Drion (fr)
http://www.dragonjazz.com/news/news18.htm
Por Sergio Piccirilli (es)
http://elintruso.com/2015/05/03/steve-coleman-and-the-council-of-balance-synovial-joints/ |