Tchaikovsky - Hamlet (Geoffrey Simon) [Eac Ape Cue] + covers [TNTvillage]

Tchaikovsky - Hamlet (Geoffrey Simon) [Eac Ape Cue] + covers [TNTvillage]

HAMLET

OVERTURE AND INCIDENTAL MUSIC

FESTIVAL OVERTURE

Peter Il'yich Tchaikovsky










Recorded in: All Saints Church, Tooting, London January 1981
Producer: Brian Couzens
Sound Engineer: Ralph Couzens - Bill Todd (Assistant)
Format: Digital CD 16Bit 44.1Khz
Originally recorded in: 24 Bit Remaster
Number of Discs: 1
Format: Synphony
Label: Chandos - Classics






1. Festival Overture on the Danish National Hymn, Op. 15 13:10

Hamlet, Op. 67bis 49:16
Overture and incidental music

2. Overture 10:03

ACT I
3. Scene 1: Mélodrame 1:34
Moderato assai
First appearance of Ghost

4. Scene 4: Fanfare 0:22
Allegro vivo
'A Flourish of Trumpets'

5. Scene 4: Mélodrame 0:41
Moderato assai
Appearance of Ghost to Hamlet

6. Scene 5: Mélodrame 3:07
Allegro giusto ed agitato
The Ghost tells Hamlet of his father's death

ACT II
7. Entr'acte 3:02
Allegro semplice
Prelude to Scene 1 and first appearance in the play of Ophelia

8. Scene 2: Fanfare 0:21
'A Room in the Castle' - 'Flourish'
First appearance of King, Queen, Rosencrantz, Guildenstern and Attendants

ACT III
9. Entr'acte 3:16
Andante quasi allegretto
Prelude to Scene 1 which features Hamlet's soliloquy
'To be or not to be'

10. Scene 2: Fanfare 0:10
'A Flourish' - Enter King, Queen, Polonius, Ophelia, Rosencrantz, Guildenstern and others

11. Scene 2: Fanfare 0:15
'The Dumb Show enters'

12. Scene 2: Mélodrame 2:04
Allegro giusto ed agitato
The Players enact the Scene of the Poisoning

ACT IV
13. Entr'acte 7:12
Andante non troppo ('Elegy for Strings')
Prelude to Scene 1 - 'A Room in the Castle'

14. Scene 5: Scène d'Ophélie* 2:24
Andantino
'Elsinore' - Ophelia's 'Mad Scene'

15. Scene 5: Deuxième scène d'Ophélie* 2:07
Moderato
'Re-enter Ophelia, fantastically dressed with straws and flowers'

ACT V
16. Entr'acte 5:27
Marcia. Moderato assai
Prelude to Scene 1 - 'A Churchyard'

17. Scene 1: Chant du Fossoyeur† 0:54
Andantino

18. Scene 1: Marche funèbre 4:36
Marcia. Moderato assai
'Funeral March' - 'Enter Priests and others in procession; the Corpse of Ophelia;
Laertes and Mourners following: King, Queen and their Trains'

19. Scene 2: Fanfare 0:21
Allegro giusto
'Trumpets sound'

20. Scene 2: Marche finale 0:43
Allegro risoluto ma non troppo

TT. 62:35


Janis Kelly soprano*
Derek Hammond-Stroud baritone†
London Symphony Orchestra
Geoffrey Simon






Overture-Fantasia, Op. 67a

Tchaikovsky wrote the Hamlet overture-fantasia, Op. 67a, between June and 19 October 1888, overlapping the scoring of his Fifth Symphony.
The idea of a Hamlet overture had first occurred to Tchaikovsky in 1876, as outlined in his plans in a letter to his brother Modest. At that time, he conceived it in three parts:
1. Elsinore and Hamlet, up to the appearance of his father's ghost
2. Polonius (scherzando) and Ophelia (adagio), and
3. Hamlet after the appearance of the ghost. His death and Fortinbras.
However, by 1888 he had altered these notions. The actor Lucien Guitry asked him to write some incidental music for a production of Shakespeare's play, to which Tchaikovsky agreed. The planned performance was cancelled, but Tchaikovsky decided to finish what he had started, in the form of a concert overture. There is no musical enactment of the events of the play, or even a presentation of the key characters. The work adopts the same scheme he used in his other Shakespeare pieces, the fantasy-overture Romeo and Juliet (1869, revised 1870 and 1880) and the symphonic fantasy The Tempest (1873), in using certain characteristics or emotional situations within the play. The essence of the work is the brooding atmosphere depicting Elsinore, but there is an obvious love theme, and a plaintive melody on the oboe can be seen to represent Ophelia.
The Hamlet overture-fantasia was dedicated to Edvard Grieg, whom Tchaikovsky had met in Leipzig in early 1888 on the same occasion that he met Johannes Brahms. He described Grieg as "an extraordinarily charming man".


Incidental music, Op. 67b

Lucien Guitry again asked Tchaikovsky to write incidental music for Hamlet. This time, it was for a benefit production on 21 February 1891 at the Mikhaylovsky Theatre in Saint Petersburg, and it was to be Guitry's farewell performance. Tchaikovsky started work on the incidental music on 13 January, but found it difficult. He was exhausted from completing The Queen of Spades, which had premiered to a triumph in December 1890. Also that month, his patroness Nadezhda von Meck had severed her connection with him. He was also suffering an affliction of the right hand. For these reasons he had cancelled his conducting engagements in Mainz, Budapest and Frankfurt, and retired for rest and recuperation to Frolovskoye.
For the overture, he used the earlier stand-alone Hamlet overture-fantasia Op. 67a, but in a shortened form. In the 16 other numbers, as well as writing some new music, he also used material from the incidental music to The Snow Maiden, Op. 12 (1873), from the alla tedesca movement of the Third Symphony (1875), and from the Elegy for Ivan Samarin (1884). The writing was finished by 3 February. Tchaikovsky travelled from Moscow to attend the performance in Saint Petersburg. He enjoyed the performance for the acting, but he never thought much of the music he had produced, and refused permission for it to be used in a later production in Warsaw.





Exact Audio Copy V0.99 prebeta 3 from 28. July 2007

Archivo Log de extracciones desde 22. Octubre 2007, 17:26

TCHAIKOVSKY / Hamlet (incidental),Festival overture op15 SIMON

Usar unidad : HL-DT-STDVDRAM GSA-4167B Adapter: 0 ID: 0

Modo de Lectura : Seguro
Utilizar Corriente Exacta : Sì
Descartar Audio caché : Sì
Utilizar los punteros C2 : No

Correccion de Desplazamiento de Lectura : 0
Sobreleer tanto en Lead-In como en Lead-Out : No
Rellenar las muestras faltantes con silencios : Sì
Eliminar silencios inicial y final : No
Se han usado muestras nulas en los calculos CRC : Sì
Interfaz usada : Interfaz ASPI externo instalado

Formato de Salida utilizado : Compresor sin pordida Monkey's Audio
Bitrate seleccionado : Normal Lossless Compression
Calidad : Alta
Anadir Etiqueta ID3 : Sì
Compresor de linea de comandos : C:\Archivos de programa\Monkey's Audio\Monkey's Audio.exe


TOC del CD extraido

Pista | Inicio | Duracion | Sector inicial | Sector final
-------------------------------------------------------------
1 | 0:00.00 | 13:18.13 | 0 | 59862
2 | 13:18.13 | 10:04.50 | 59863 | 105212
3 | 23:22.63 | 1:34.00 | 105213 | 112262
4 | 24:56.63 | 0:22.65 | 112263 | 113977
5 | 25:19.53 | 0:41.35 | 113978 | 117087
6 | 26:01.13 | 3:10.30 | 117088 | 131367
7 | 29:11.43 | 3:02.45 | 131368 | 145062
8 | 32:14.13 | 0:24.70 | 145063 | 146932
9 | 32:39.08 | 3:17.55 | 146933 | 161762
10 | 35:56.63 | 0:10.10 | 161763 | 162522
11 | 36:06.73 | 0:15.05 | 162523 | 163652
12 | 36:22.03 | 2:11.30 | 163653 | 173507
13 | 38:33.33 | 7:14.10 | 173508 | 206067
14 | 45:47.43 | 2:24.45 | 206068 | 216912
15 | 48:12.13 | 2:12.65 | 216913 | 226877
16 | 50:25.03 | 5:27.00 | 226878 | 251402
17 | 55:52.03 | 0:58.40 | 251403 | 255792
18 | 56:50.43 | 4:39.10 | 255793 | 276727
19 | 61:29.53 | 0:21.10 | 276728 | 278312
20 | 61:50.63 | 0:46.07 | 278313 | 281769


Gama de estados y errores

Seleccionar gama

Nombre de Archivo: TCHAIKOVSKY Hamlet (incidental),Festive overture op15 [LSO - Geoffrey Simon - CHANDOS] ape+cue,covers\Hamlet (incidental),Festival overture op15.wav

Nivel Pico 94.9 %
Gama de Calidad 100.0 %
Copiar CRC D845C44B
Copia OK

Sin Errores

Final del Informe

Visit http://www.tntvillage.scambioetico.org/

http://tracker.tntvillage.scambioetico.org:2710/announce

udp://tracker.1337x.org:80/announce

udp://tracker.publicbt.com:80/announce

udp://tracker.openbittorrent.com:80/announce