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Here is an excellent vintage bootleg with a great performance by the Who.. Recommended for fans.
Please enjoy, share with friends and please seed :) > i can't do it all alone! You can help by keeping this music alive :)
I really want to share more rare stuff that is not available in shops, but i need your help to keep my collection alive for all, now over 1600 concerts still available for you!
Stuff like this needs to be preserved for future generations of music lovers.
Thanks to all the peers from everywhere seeding my huge archive, i love you!
Look for my music archive here: https://1337x.to/user/GRNS3/
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THE WHO
Folsom Field
University of Colorado
Boulder, CO
October 17, 1982
Audience Shot
NTSC DVD
30th Anniversary JEMS Edition
SOURCE: Panasonic(?) portable VHS camera and recorder
TRANSFER:
JVC HR-S9911U > Canopus ADVC-300 > IEEE 1394 > Adobe Premiere Pro CS5
GENERATION:
VHS(1) [NTSC] > AVI [DV25]
LENGTH:
118:48
RECORDED BY:
unnamed in association with JEMS
TRANSFERRED BY:
Mike Ziegler
AUTHORED BY:
KS, thank you so much for your always excellent work
Video Attributes:
Codec: MPEG-2
Bitrate: 9000 kbps
Resolution: 720x480
Frame Rate: NTSC (29.97 fps)
Aspect Ratio: 4:3
Audio Attributes:
Codec: None (LPCM)
Bitrate: 16 bit
Sample Rate: 48000kHz
Channels: 2
01 My Generation (cut)
02 I Can't Explain
03 Dangerous
04 Sister Disco
05 The Quiet One
06 It's Hard
07 Eminence Front
08 Behind Blue Eyes
09 Baba O'Riley
10 Drowned
11 A Man Is A Man
12 Cry If You Want
13 Who Are You (cut)
14 Pinball Wizard
15 See Me, Feel Me
16 Substitute
17 5.15
18 Love, Reign O'er Me
19 Long Live Rock
20 Won't Get Fooled Again (cut)
21 Naked Eye
22 Summertime Blues
23 Twist and Shout
Back in 1982, The Who embarked on their first "Farewell Tour." It was originally THE "Farewell Tour," but once they got going, were playing well and having a good time, they left the door open to more touring down the road. At one point Pete was even talking of another concept album to follow It's Hard. In due time, Kenney left and the Who didn't formally restart again until 1989 and the resurrection of Tommy.
When the '82 tour was announced, I was "under" employed, so I decided to take in the entire tour, attend every single show, which I did, minus the two warm-up shows in England. I put 10,000 miles on my Ford Fairmont during the course of the tour, and I had many guests join for a run of shows, which helped with traveling expenses. One such fellow who tagged along on the western swing of the tour had a portable video recorder set up, which we packed and brought along. We only broke it out for three shows: Folsom Field in Boulder, Colorado on October 17, 1982, The Kingdome in Seattle on October 20 and the second Oakland show on October 25.
The Boulder show ("rain, snow or shine" it said on the ticket) and the Seattle show (which also circulates as a pro-shot video) were both solid stadium performances. The Oakland show (in the Arena following a Stadium show across the parking lot two days earlier) was one of the best shows of the tour.
All three had set list variations which made this tour fairly unique for The Who, but Oakland was the longest show, with a little more spark than much of the rest on the tour (the second night at Shea Stadium was the only other set to match it). Plus, Pete smashed a guitar during "Won't Get Fooled Again." (As a side note, it wasn't a big, end-of-the-show smashing, more of a pissed-off about something, quick take-down in the middle of the song. He quickly got a new guitar and carried on.)
We walked into the shows with a camera, a tripod, a portable VHS recorder, blank VHS tapes and batteries, as well as JEMS' usual cassette audio recording set-up, all of which probably weighed a collective 25+ pounds and took up several cubic feet of space. By contrast, I just purchased a new recorder (the Olympus LS-7) which is so small it can fit into a shirt pocket with room to spare! Times have changed. I think back to those days and I wonder how we were able to get these recordings done.
A note on these tapes: In a digital age, these recordings, which I remember as being nice quality, pale in comparison to what we can do now. These are 1st generation copies off the video masters (which, for all intents and purposes don't exist any more and are lost to history). Boulder and Seattle have the camera audio; Oakland has better audio synced a second source.
Look at the screen grabs to get a sense of the quality. If you can put yourself back into a 1982 mindset, all three are highly watchable, mostly steady and generally free of obstructions. And if you were in attendance, they are miraculous souvenirs. Boulder and Seattle, being stadiums, are more distant but the shot is still only as wide as the band is on stage. Not bad at all. And Oakland, as it was an arena show indoors, is even closer.
Specific to Boulder, the show starts in daylight and ends in darkness. Like a lot of videos from this period, the stage lighting overwhelms the camera's light censor so it is a little blown out but it gets better as it gets darker. The audio is clear and listenable.
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