This baroque nightmare of a south-of-the-border mystery is considered to be one of the great movies of Orson Welles, who both directed and starred in it. On honeymoon with his new bride, Susan (Janet Leigh), Mexican-born policeman Mike Vargas (Charlton Heston) agrees to investigate a bomb explosion. In so doing, he incurs the wrath of local police chief Hank Quinlan (Welles), a corrupt, bullying behemoth with a perfect arrest record. Vargas suspects that Quinlan has planted evidence to win his past convictions, and he isn't about to let the suspect in the current case be railroaded. Quinlan, whose obsession with his own brand of justice is motivated by the long-ago murder of his wife, is equally determined to get Vargas out of his hair, and he makes a deal with local crime boss Uncle Joe Grandi (Akim Tamiroff) to frame Susan on a drug rap, leading to one of the movie's many truly harrowing sequences. Touch of Evil dissects the nature of good and evil in a hallucinatory, nightmarish ambience, helped by the shadow-laden cinematography of Russell Metty and by the cast, which, along with Tamiroff and Welles includes Charlton Heston as a Mexican; Marlene Dietrich, in a brunette wig, as a brittle madam who delivers the movie's unforgettable closing words; Mercedes McCambridge as a junkie; and Dennis Weaver as a tremulous motel clerk. Touch of Evil has been released with four different running times -- 95 minutes for the 1958 original, which was taken away from Welles and brutally cut by the studio; 108 minutes and 114 minutes in later versions; and 111 minutes in the 1998 restoration. Based on a 58-page memo written by Welles after he was barred from the editing room during the film's original post-production, this restoration, among numerous other changes, removed the opening titles and Henry Mancini's music from the opening crane shot, which in either version ranks as one of the most remarkably extended long takes in movie history.
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STARS...........: Charlton Heston, Orson Welles, Janet Leigh
DIRECTOR........: Orson Welles
WRITERS.........: Orson Welles, Whit Masterson
GENRE...........: Crime, Drama, Film-Noir
IMDB............: https://www.imdb.com/title/tt0052311
RUNTIME.........: 1h 50mn
SIZE............: 5.87 GB
VIDEO CODEC.....: HEVC ( [email protected])
BITRATE.........: 7000 Kbps (2-pass)
RESOLUTION......: 1920x1040
ASPECT RATIO....: 1.85:1
FRAMERATE.......: 23.976 fps
AUDIO1..........: English FLAC 1.0
AUDIO2..........: English HE-AAC 1.0
AUDIO3..........: German HE-AAC 1.0
AUDIO4..........: Commentary with Charlton Heston, Janet Leigh & Rick Schmidlin
AUDIO5..........: Commentary with reconstruction producer Rick Schmidlin
SUBTITLES.......: ENG, GER
SOURCE..........: Koch RM4K Blu-ray
ENCODE DATE.....: 2020-10-28
Extras
• Bringing Evil to Life - This short documentary focuses on the film's production, with contributions from actors Heston, Leigh, Weaver and Valentin de Vargas and filmmakers Peter Bogdanovich and Robert Wise, among others.
• Evil Lost & Found - An overview of the reconstruction, with interviewees that include editor Walter Murch, restorationist Bob O'Neil, reconstruction producer Rick Schmidlin, Welles scholar Jonathan Rosenbaum and cinematographer Allen Daviau.
• Commentary with Charlton Heston, Janet Leigh and Reconstruction Producer Rick Schmidlin - The two stars of the film share their memories of working with Welles, while Schmidlin alternates between pointing out specific changes and prompting the actors with questions about their experience. Some of the stories from Heston and Leigh are repeated in the two documentaries, but with their memories prodded by Schmidlin, they relate additional detail that makes this track especially entertaining.
• Commentary with Rick Schmidlin - In his solo commentary, Schmidlin recounts in detail the lengthy history of his efforts to interest Universal in reconstructing the film in accordance with Welles's memo and his subsequent work with editor Walter Murch on the reconstruction.
• Gallery - International posters and on-set photos.
• Theatrical Trailer
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